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I think it was Lyor Cohen and Kevin Liles-they were like “Sisqó, Sisqó!” and I was like, “They’re with me.” So they got let into the party. I can remember some Def Jam execs trying to get into a party, and they were literally stuck behind the velvet rope, and I was walking in with Nick Carter from the Backstreet Boys and Paris Hilton. Both of those songs had gone platinum or multiplatinum.Īs a matter of fact, we had gotten paid more than any other artists in history at the time to record “How Deep.” So when we got with Def Jam, hip-hop was kind of fresh in the game, they was getting shunned.
#Dru hill songs with his band how to
We also had worked with them again with the song called “Big Bad Mamma” with Foxy Brown for the How to Be a Player soundtrack. 1 single, “How Deep Is Your Love.” And that was on the Rush Hour soundtrack. And so that prompted us to work with Def Jam after our very first no. So all of the success that a lot of the hip-hop artists had back then always had some kind of R&B element or some kind of artist singing on the chorus. Everybody was under the impression that it was going to be a fad. Def Jam was known predominantly as a hip-hop label. They wanted another Dru Hill project because when we started working with Def Jam, the record label started to consolidate. Every commercial release that we had released had gone either platinum or multiplatinum, but to get that extra money, I actually borrowed money from my manager, Kevin Peck.Īnd it’s a risk because you’re putting up your own money for this album, and I’m assuming your record company was like, “We just want another Dru Hill project, we don’t want Sisqó solo right now.” I was a new solo artist, but Dru Hill had two multiplatinum albums prior to my first solo album. How do you go through the process of financing an entire album? You were in Dru Hill, but you’re still a new solo artist.
#Dru hill songs with his band full
For the full discussion, check out this week’s episode of The Ringer Music Show here.Īfter watching the Vice doc on the making of “Thong Song,” I found it very interesting that you financed Unleash the Dragon by borrowing from your manager.
Below is an excerpt of that conversation. Over Zoom, Sisqó discussed the new Vice mini-documentary The Story of “Thong Song,” the origins of his dyed hair, the million-dollar rumors surrounding his “Unleash the Dragon” video, and pandemic video games. At a time when artists were beholden to their labels, Sisqó financed his own debut solo album and retained most of the masters. During performances, Sisqó would spin and flip like an acrobat, just before nailing a note most people couldn’t perform standing still.
When he didn’t see anyone fully embracing the future the Jetsons promised at the dawn of the millennium he decided to dye his hair silver. Sure, most people know Mark “Sisqó” Andrews as the creator of the “Eleanor Rigby”–interpolating hit “Thong Song,” but for millions he was a hero burning brighter than few R&B artists had before or have since.įor Sisqó, doing just enough is never enough.
#Dru hill songs with his band movie
For a brief, but blinding moment, the Baltimore singer fought kaiju with well-timed choreography and dominated multiple movie soundtracks. In a world yet to be dominated by social media, an endless stream of reality TV, and sexless R&B, Sisqó showed the world what it meant to live without fear.
The Dru Hill frontman and metallic-haired icon is timeless.
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